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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist that is looking to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is an ideal mixture of smart-aleck maturity and youthful innocence. Articulating the large words slowly and carefully with just a hint of childishness, Woodman endearingly conveys the voice of the young child who is trying desperately to sound just like an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety to the imaginative and captivating plot, nonetheless they usually do not translate quite as seamlessly into audio format. Ferrone's wistful growl is ideal to the voice of an man who are able to no longer speak, but as the listener actually gets to know the text that the character can only convey by writing on the notepad, his frustrating silence is not as profound. Caruso's brilliant performance as an adoring grandmother is also noteworthy, nevertheless the meandering stream-of-consciousness type of her and Ferrone's sections are sometimes hard to adhere to on audio. Although it is Oskar's poignant, laugh-out-loud narration that make this audio production indispensable.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Adult/High School-Oskar Schell just isn't your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. He also collects random photographs for his scrapbook and sends letters to scientists. When his father dies within the World Trade Center collapse, Oskar shifts his boundless energy with a quest for answers. He finds an important hidden in his father's items that doesn't fit any lock inside their Ny City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to talk to everyone in New York City while using last name of Black. A retired journalist who keeps a card catalog with entries for everybody he's ever met is simply one of the colorful characters the boy meets. Such as Things Are Illuminated (Houghton, 2002), Foer needs a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further with the inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works as being a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the World War II bombing of Dresden. Of course this story is not nearly as evocative as Oskar's, it will carry forward and connect firmly for the rest in the novel. The two stories finally intersect in the powerful conclusion that will make even probably the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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